Seen and Unseen: The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum

Research output: Contribution to journalJournal articlepeer-review

Standard

Seen and Unseen : The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum . / Hussey, Kristin D.

In: 19. Interdisciplinary Studies in the Long Nineteenth Century, Vol. 1, No. 24, 2017.

Research output: Contribution to journalJournal articlepeer-review

Harvard

Hussey, KD 2017, 'Seen and Unseen: The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum ', 19. Interdisciplinary Studies in the Long Nineteenth Century, vol. 1, no. 24. https://doi.org/10.16995/ntn.787

APA

Hussey, K. D. (2017). Seen and Unseen: The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum . 19. Interdisciplinary Studies in the Long Nineteenth Century, 1(24). https://doi.org/10.16995/ntn.787

Vancouver

Hussey KD. Seen and Unseen: The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum . 19. Interdisciplinary Studies in the Long Nineteenth Century. 2017;1(24). https://doi.org/10.16995/ntn.787

Author

Hussey, Kristin D. / Seen and Unseen : The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum . In: 19. Interdisciplinary Studies in the Long Nineteenth Century. 2017 ; Vol. 1, No. 24.

Bibtex

@article{5310aab4c6d74b798a18f3e4b4929af2,
title = "Seen and Unseen: The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum ",
abstract = "In this short article I explore the display of waxworks by modeller Joseph Towne (1806–1879) at the Gordon Museum at King{\textquoteright}s College London. Using a framework of visibility, I consider how the dichotomy of seen and unseen is interwoven in the representation of the body in Towne{\textquoteright}s work. The previously hidden world of the internal structure of the human form is depicted with brutal accuracy in Towne{\textquoteright}s large-scale anatomical waxes, immortalizing the encounter between anatomist and cadaver in the nineteenth-century hospital. This is contrasted with the very visible world of dermatology, a discipline founded on the ability to read the signs of disease manifest on the skin. In his realistic renderings of skin conditions, Towne has unexpectedly captured the faces of the hospital{\textquoteright}s nineteenth-century patients. I contend that the collection of dermatological moulages allows the historian to glimpse the diversity of the patient population of the mid-Victorian hospital, a testament to the variety of bodies which came under the physician{\textquoteright}s gaze. The Gordon Museum at King{\textquoteright}s College London is open by appointment to medical students, practitioners, and historians of medicine.",
author = "Hussey, {Kristin D.}",
year = "2017",
doi = "10.16995/ntn.787",
language = "English",
volume = "1",
journal = "19",
issn = "1755-1560",
publisher = "Open Library of Humanities",
number = "24",

}

RIS

TY - JOUR

T1 - Seen and Unseen

T2 - The representation of visible and hidden disease in the waxworks of Joseph Towne at the Gordon Museum

AU - Hussey, Kristin D.

PY - 2017

Y1 - 2017

N2 - In this short article I explore the display of waxworks by modeller Joseph Towne (1806–1879) at the Gordon Museum at King’s College London. Using a framework of visibility, I consider how the dichotomy of seen and unseen is interwoven in the representation of the body in Towne’s work. The previously hidden world of the internal structure of the human form is depicted with brutal accuracy in Towne’s large-scale anatomical waxes, immortalizing the encounter between anatomist and cadaver in the nineteenth-century hospital. This is contrasted with the very visible world of dermatology, a discipline founded on the ability to read the signs of disease manifest on the skin. In his realistic renderings of skin conditions, Towne has unexpectedly captured the faces of the hospital’s nineteenth-century patients. I contend that the collection of dermatological moulages allows the historian to glimpse the diversity of the patient population of the mid-Victorian hospital, a testament to the variety of bodies which came under the physician’s gaze. The Gordon Museum at King’s College London is open by appointment to medical students, practitioners, and historians of medicine.

AB - In this short article I explore the display of waxworks by modeller Joseph Towne (1806–1879) at the Gordon Museum at King’s College London. Using a framework of visibility, I consider how the dichotomy of seen and unseen is interwoven in the representation of the body in Towne’s work. The previously hidden world of the internal structure of the human form is depicted with brutal accuracy in Towne’s large-scale anatomical waxes, immortalizing the encounter between anatomist and cadaver in the nineteenth-century hospital. This is contrasted with the very visible world of dermatology, a discipline founded on the ability to read the signs of disease manifest on the skin. In his realistic renderings of skin conditions, Towne has unexpectedly captured the faces of the hospital’s nineteenth-century patients. I contend that the collection of dermatological moulages allows the historian to glimpse the diversity of the patient population of the mid-Victorian hospital, a testament to the variety of bodies which came under the physician’s gaze. The Gordon Museum at King’s College London is open by appointment to medical students, practitioners, and historians of medicine.

U2 - 10.16995/ntn.787

DO - 10.16995/ntn.787

M3 - Journal article

VL - 1

JO - 19

JF - 19

SN - 1755-1560

IS - 24

ER -

ID: 240641324