Exhibitions as philosophical carpentry: On object-oriented exhibition-making
Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
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Exhibitions as philosophical carpentry : On object-oriented exhibition-making. / Bencard, Adam.
Exhibitions as Research: Experimental Methods in Museums. ed. / Peter Bjerregaard. Vol. 1 1. ed. Routledge, 2019. p. 67-79.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
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TY - CHAP
T1 - Exhibitions as philosophical carpentry
T2 - On object-oriented exhibition-making
AU - Bencard, Adam
PY - 2019
Y1 - 2019
N2 - This chapter explores the notion of seeing exhibitions as philosophical laboratories, sites for thinking about things. It suggests that alongside the normal ‘content-driven’ research done in museums – whether that might be the history of Viking travels, 19th century developments in surgery and so on – museums are also uniquely suited for philosophical inquiry into the nature of ‘thingness’ itself, to the status and effects of the objects and the wider material world that we are a subset of. Essentially, that museums can make exhibitions which not only put things on display, but also explore ‘thingness’, the philosophical qualities of the material world. It does so through a reading of the object-oriented philosophy presented by philosopher and media theorist Ian Bogost in the book Alien Phenomenology, or What It’s Like to be a Thing (2012). The chapter thus contributes to the nexus between exhibitions and research by suggesting that exhibition making might be sites to experiment...
AB - This chapter explores the notion of seeing exhibitions as philosophical laboratories, sites for thinking about things. It suggests that alongside the normal ‘content-driven’ research done in museums – whether that might be the history of Viking travels, 19th century developments in surgery and so on – museums are also uniquely suited for philosophical inquiry into the nature of ‘thingness’ itself, to the status and effects of the objects and the wider material world that we are a subset of. Essentially, that museums can make exhibitions which not only put things on display, but also explore ‘thingness’, the philosophical qualities of the material world. It does so through a reading of the object-oriented philosophy presented by philosopher and media theorist Ian Bogost in the book Alien Phenomenology, or What It’s Like to be a Thing (2012). The chapter thus contributes to the nexus between exhibitions and research by suggesting that exhibition making might be sites to experiment...
KW - Cellular Automaton
KW - Alien Phenomenology
KW - Ancient DNA Study
KW - Participatory Action Research Literature
KW - Deep Space
KW - Science Communication Models
KW - Experimental Design Practices
KW - Ancient DNA
KW - View Science Communication
KW - Public Engagement
KW - Common Language
KW - Correlational Position
KW - Correlationist Circle
KW - Van Der Tuin
KW - Black Noise
KW - Mri Scan
KW - Wellcome Collection
KW - Carnival Barker
KW - Actual Physical Construction
M3 - Book chapter
SN - 9781138646063
VL - 1
SP - 67
EP - 79
BT - Exhibitions as Research
A2 - Bjerregaard, Peter
PB - Routledge
ER -
ID: 240652371