Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures

Research output: Contribution to journal › Comment/debate › Research › peer-review

Standard

Art’s Work in the Age of Biotechnology : Shaping Our Genetic Futures. / Rogers, Hannah Star.

In: Leonardo, Vol. 55, No. 1, 2022, p. 5-17.

Research output: Contribution to journal › Comment/debate › Research › peer-review

Harvard

Rogers, HS 2022, 'Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures', Leonardo, vol. 55, no. 1, pp. 5-17. https://doi.org/10.1162/leon_a_01966

APA

Rogers, H. S. (2022). Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures. Leonardo, 55(1), 5-17. https://doi.org/10.1162/leon_a_01966

Vancouver

Rogers HS. Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures. Leonardo. 2022;55(1):5-17. https://doi.org/10.1162/leon_a_01966

Author

Rogers, Hannah Star. / Art’s Work in the Age of Biotechnology : Shaping Our Genetic Futures. In: Leonardo. 2022 ; Vol. 55, No. 1. pp. 5-17.

Bibtex

@article{b2bb9a6d13f849a990a14be117f7db22,
title = "Art{\textquoteright}s Work in the Age of Biotechnology: Shaping Our Genetic Futures",
author = "Rogers, {Hannah Star}",
note = "Funding Information: Art{\textquoteright}s Work in the Age of Biotechnology: Shaping Our Genetic Futures is a multisite exhibition that explores art{\textquoteright}s relationship to biotechnology. The main exhibition was held at North Carolina State University, October 2019–March 2020, and was sponsored by the Genetic Engineering and Society Center, the North Carolina State University Libraries and the Gregg Museum of Art & Design. The project included a Field Trial exhibition at Contemporary Art Museum of Raleigh (CAM Raleigh), a related interdisciplinary planning symposium and installations at the Gregg Museum of Art & Design, the D.H. Hill Jr. Library, the Hunt Library and the North Carolina Museum of Art{\textquoteright}s (NCMA) Ann and Jim Goodnight Museum Park, as well as a response symposium. The exhibition aimed to elicit discussion about genetics in society through provocative contemporary art and to offer viewers new ways to think about their role in the genetic revolution. Artists addressed questions often set aside in scientific conversations about biotechnology, including questions of access, sex and gender,",
year = "2022",
doi = "10.1162/leon_a_01966",
language = "English",
volume = "55",
pages = "5--17",
journal = "Leonardo Music Journal",
issn = "0024-094X",
publisher = "MIT Press",
number = "1",

}

RIS

TY - JOUR

T1 - Art’s Work in the Age of Biotechnology

T2 - Shaping Our Genetic Futures

AU - Rogers, Hannah Star

N1 - Funding Information: Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures is a multisite exhibition that explores art’s relationship to biotechnology. The main exhibition was held at North Carolina State University, October 2019–March 2020, and was sponsored by the Genetic Engineering and Society Center, the North Carolina State University Libraries and the Gregg Museum of Art & Design. The project included a Field Trial exhibition at Contemporary Art Museum of Raleigh (CAM Raleigh), a related interdisciplinary planning symposium and installations at the Gregg Museum of Art & Design, the D.H. Hill Jr. Library, the Hunt Library and the North Carolina Museum of Art’s (NCMA) Ann and Jim Goodnight Museum Park, as well as a response symposium. The exhibition aimed to elicit discussion about genetics in society through provocative contemporary art and to offer viewers new ways to think about their role in the genetic revolution. Artists addressed questions often set aside in scientific conversations about biotechnology, including questions of access, sex and gender,

PY - 2022

Y1 - 2022

U2 - 10.1162/leon_a_01966

DO - 10.1162/leon_a_01966

M3 - Comment/debate

AN - SCOPUS:85125568979

VL - 55

SP - 5

EP - 17

JO - Leonardo Music Journal

JF - Leonardo Music Journal

SN - 0024-094X

IS - 1

ER -

ID: 362900141